FS700R / SHOGUN INFERNO / slog2 RAW bt2020 to slog2 rec709
SAMPLES :

PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020

PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 with fixed exposure

PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 with my lut applied

PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 converted from bt2020 to rec709 with my lut and after the conversion  graded with FUJI ETERNA 250D

FS700R / SHOGUN INFERNO /  SLOG2 BT2020 to log c (SUP 3.X & 4X) REC 709 
SAMPLES : 

SLOG2 prores raw hq bt2020

SLOG2 bt2020 to LOg c (SUP 3.X & 4X) REC 709

LOG C (SUP 3.X & 4X) REC 709 to ARRI SIGNATURE LOOK REC709

FS700R / SHOGUN INFERNO /  SLOG2 BT2020 to log c (SUP  2.x), REC 709 
SAMPLES : 
LOG C 2.X / REC709
THE FOOTAGE IS FILMED WITH SONY NEXFS700R AND SHOGUN INFERNO IN NATIVE ISO 2000
How it works? 
- once you import the raw footage in premiere pro, you need to fix the clip exposure and wb before load my lut in lumetri COLOR basic correction panel. once the exposure  and wb are set you can load the lut in Lumetri color basic correction panel. then load any creative lut thru the creative panel of lumetri color and adjust it within your taste. works with any version of ppro and lumetri color.
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