AK REAL SKIN TONES / FS700R / SHOGUN INFERNO / slog2 HQ 4k RAW
filmed with fs700 and shogun inferno in prores hq 4k raw. tested on adobe premiere pro and after effects lumetri color. Please, keep in mind it is input lut.
FS700R / SHOGUN INFERNO / slog2 RAW bt2020 to slog2 rec709
SAMPLES :
PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020
PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 with fixed exposure
PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 with my lut applied
PRORES RAW HQ slog2 4KDCI BT2020 IMPORTED IN PREMIERE PRO custom sequence rec709 4096X1714 CC2020 converted from bt2020 to rec709 with my lut and after the conversion graded with FUJI ETERNA 250D
FS700R / SHOGUN INFERNO / SLOG2 BT2020 to log c (SUP 3.X & 4X) REC 709
SAMPLES :
SLOG2 prores raw hq bt2020
SLOG2 bt2020 to LOg c (SUP 3.X & 4X) REC 709
LOG C (SUP 3.X & 4X) REC 709 to ARRI SIGNATURE LOOK REC709
FS700R / SHOGUN INFERNO / SLOG2 BT2020 to log c (SUP 2.x), REC 709
SAMPLES :
LOG C 2.X / REC709
THE FOOTAGE IS FILMED WITH SONY NEXFS700R AND SHOGUN INFERNO IN NATIVE ISO 2000
How it works?
- once you import the raw footage in premiere pro, you need to fix the clip exposure and wb before load my lut in lumetri COLOR basic correction panel. once the exposure and wb are set you can load the lut in Lumetri color basic correction panel. then load any creative lut thru the creative panel of lumetri color and adjust it within your taste. works with any version of ppro and lumetri color.